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Intimate adj 1.
Marked by close acquaintance, association, or familiarity. 2. Pertaining to or indicative of one's
deepest nature.
American Heritage Dictionary, 1980
Intimacy is something that exists between people who have
been friends so long they can finish each other's sentences. It is the husband
who knows exactly how much sugar and cream his wife likes in her coffee. It is
the mother who knows what to do to comfort her baby. It's the father knowing
just how high to toss the ball so his son can hit it with the bat. It's knowing
yourself and knowing the other person, or people, in your life deeply. It is the connection that binds.
I don't think I truly understood what it meant to be
intimate until my son was born. I had experienced intimacy before with best
friends, my husband certainly, even a few co-workers, but until I held my son
and realized I could recognize the difference between the "I'm wet"
cry and the "I'm hungry" cry, I did not know what intimacy really was. Intimacy is important. It is what
makes us feel connected to each other. It keeps us in a family, it provides
comfort and it is healing.
While writing my novel I discovered that not only do I have
an intimate relationship with my character (duh, they are my characters) but
they have intimacies between each other as well, and different levels of it at that.
And for my characters to become as real to a reader as they are to me, I have
to show their intimacies so the reader can become intimate with them too. I
will give an example of what I mean in an excerpt from the rough draft of my
novel, Murder at the Primrose Inn
(working title but it's growing on me). It is a scene between Walter, Colleen
Disantis and her co-worker Darryl Johnston.
"That was
horrible," Walter groaned over his slice of pizza. He really wanted to
wash it, and his cross examination, down with a beer or two."I told you to watch him," Disantis said picking the pepperoni off her slice and patting the oil off the top. "You did fine, all things considered. And, in the end, you pulled it back out of the shitter."
Darryl vigorously shook the parmesan cheese over his piece of the pie and picked up Colleen's discarded pepperoni. "You did okay. I would have come off the stand and decked the guy."
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Colleen and Darryl have worked together for so long he is
comfortable picking up her pepperoni and she doesn't care that he does. That's
intimacy. I like their dynamic.
My goal during the editing and revision process is to look
at the way the characters have intimacy with each other and with themselves as
well. I hope that will make the readers feel as close to them and their story
as I do.
I like this article, LeeAnn. It's not easy (for me) to get inside my characters' heads- at first, they take shape from vapors to me and it takes time for me to realize who they are...do you write about them, think about them, or just get to know them slowly overtime?
ReplyDeleteAmanda, my characters come to me sometimes in vapors and sometimes like a head-on collision. I get to know them gradually. I think about them for a while and let them "form." Then, I draw out a basic character map. Then I write our a brief biography and backstory. As I write my novel, their stories get tweeked. Next thing I know they are full-blown people with a whole, complete biography that speaks for itself.
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